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Fried Green Tomatoes is a 1991 comedy-drama film based on the novel Fried Green Tomatoes at the Whistle Stop Cafe by Fannie Flagg. It was released in the UK under the novel's full title. Directed by Jon Avnet and written by Fannie Flagg and Carol Sobieski, it stars Kathy Bates, Jessica Tandy, Mary-Louise Parker and Mary Stuart Masterson. It tells the story of a Depression-era friendship between two women, Ruth and Idgie, and a 1980s friendship between Evelyn, a middle aged housewife and Ninny, an elderly woman who knew Ruth and Idgie. The centerpiece and parallel story concerns the murder of Ruth's abusive husband and the accusations that follow.
Unlike the book Fried Green Tomatoes at the Whistle Stop Cafe, the film adaptation does not explicitly present the lesbian romance between the two central characters, instead making the relationship between Idgie and Ruth ambiguous.[1] The DVD edition of the film has an audio commentary with the director acknowledging this and pointing out that a scene between the two women engaging in a food fight was intended to be seen as symbolic love-making. At the time of the film's debut, it was criticized by reviewers and activists for what was seen as glossing over the lesbian overtones of the relationship.[1][2] However, the film won an award from the Gay & Lesbian Alliance Against Defamation (GLAAD) for best feature film with lesbian content.[3] At the end of the novel, Ninny Threadgoode dies, whereas in the film, she lives while Mrs. Otis dies and Evelyn invites Ninny to live with her and Ed.
Kathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing and moving 1991 screen adaptation of Fannie Flagg's novel Fried Green Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker, seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity girls in a parking lot, but dignity is generally the key to Avnet's approach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences.
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